Call for Papers, An Update and Giving Thanks

I have been diligently seeking out venues for getting the word out about my call for papers and I would like to thank Dr. Kannenberg, Jr. of Comics Research & Such and Mr. Zielinski, Mr. Baack, and Mr. Bill Koenig of Her Majesty’s Secret Servant for posting my CFP and/or giving me a shout out in their blog. I sincerely appreciate the support and if I have missed anyone, please let me know so I can give you a thank you in my next post.

Here is my CFP again, with approximately one month to go to the abstract deadline of June 1^st. If you are interested, but have questions, please do not hesitate to contact me. If you don’t have a working bibliography, let me know, but don’t let it impede you submitting. Those are guidelines, but they are not set in stone.

Call for Papers

Spyfi & Superspies: A Collection of Essays Analyzing the Cultural Response

to the James Bond Phenomenon

Abstract Submission Deadline: June 1, 2013

Since introducing himself to the world at the exclusive gambling club in London over fifty years ago in Dr. No, Bond, James Bond has become one the longest running film series in the history of cinema. The franchise has been very successful with 24 Eon Production films spanning six decades and 14 Ian Fleming books published several times over since their original debut at the height of the Cold War. It is not surprising then that the Bond influence on society has been a long and fruitful one in all media forms.

While there has been much written about the Fleming books and Eon Productions films since Bond’s literary and filmic inception, it is the goal of this anthology to explore other aspects of the Bond phenomenon. Hence, the editor is seeking entertaining, intelligent essays that explore and analyze the global cultural response to James Bond. All media forms are of interest: starting from the 1960s through to the present times. Please do not submit essays focusing on the Fleming books or Eon Productions films.

Here is a list of example topics and titles, but is by no means meant as an exhaustive list:

Films (any non-Eon Production Bond films)

• Amerospy films: Matt Helm, Jason Bourne, Spy Kids, xXx
• Eurospy to contemporary: Lemmy Caution series, Kommissar X, Agent 077, OSS 117, Johnny English
• Asiaspy: From Beijing with Love, James Bond 777, The Mahjong Incident, Agent Vinod, The Hero: Love Story of a Spy
• Parody: Carry on Spying, Spy Hard, Mystery Science Theater 3000 riffed spy films, If Looks Could Kill, Austin Powers series, Our Man Flint

 Television

• The Man From U.N.C.L.E., I Spy, Get Smart, Chuck, MI5 (aka Spooks), Burn Notice 

Literature (any non-Ian Fleming)

• OSS 117  (Jean Bruce), Matt Helm (Donald Hamilton), The Moneypenny Diaries (Samantha Weinberg), Young Bond (Charlie Higson), Jason Bourne (Robert Ludlum), Alex Rider (Anthony Horowitz)
• Non Fleming Bond: John Gardner, Raymond Benson, Sebastian Faulks, Jeffery Deaver

Comics

• X-9 Corrigan (IDW), Super Spy (Matt Kindt), James Bond Jr. (John Vincent), The Secret Service (Mark Millar), Danger Girl (IDW), The Secret Service (Mark Millar)

Cartoons

• Archer, James Bond Jr., Totally Spies!  

Videogames

• Adaptations: GoldenEye, Quantum of Solace
• Ret-con Bond: 007 Legends, GoldenEye
• Original Bond Stories: 007:Blood Stone, 007: Everything or Nothing, 007: Agent Under Fire, James Bond 007:Nightfire
• Inspired by Bond: Alpha Protocol, No One Lives Forever, Alex Rider: Stormbreaker, Perfect Dark 

Anime

• Najica Blitz Tactics, Gunslinger Girl, Master Keaton, Darker Than Black

Anti-Bond

• The Quiller Memorandum, The Ipcress File, Tinker Tailor Soldier Spy 

Music

• “When Nobody Loves You” (Kerli), “I’ll Take It All” (Joss Stone), “Miss Moneypenny” (Placebo)

Deadlines:

• June 1, 2013: Abstract of 300-500 words, 1 page CV (or brief bio), draft bibliography
• June 15, 2013: Notification of acceptance/rejection
• November 1, 2013: Papers due of 5,000-8,000 words in length (earlier submissions welcomed and encouraged), contributor release, and short biography

 Accepted essays received on or before November 1^st will continue through to the editing process. The editor will correct grammatical and spelling errors, however edits impacting the essay’s content will be returned to the author for correction. 

The final manuscript will be delivered to the publisher late spring, 2014.  Contributors will receive a complimentary book copy when published.

Please direct all correspondence to:

Michele Brittany, Editor

Profile: http://about.me/michelebrittany

Email: spyfi.superspies@gmail.com

Blog: http://spyfi-superspies.blogspot.com/

Facebook group: Spy-fi & Superspies